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Shostakovich in San Francisco and Philadelphia 

This winter, Seong-Jin Cho will join the San Francisco Symphony and The Philadelphia Orchestra for Shostakovich’s Piano Concerto No 1. One of Shostakovich’s most mischievous, sharp-edged, and revealing early works, the unconventional concerto is scored for string-only orchestra, piano, and solo trumpet.

On January 22, 23, and 24, Cho will appear with the San Francisco Symphony, under…

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Recitals in Seattle, Costa Mesa, and Los Angeles

Seong-Jin Cho brings his iconic performances of Chopin’s waltzes to audiences in Seattle, WA, Los Angeles, CA, and Costa Mesa, CA, appearing in recital on January 20, 27, and 28. The winner of the 2015 International Chopin Piano Competition, Cho is a master interpreter of the composer’s works, and has been praised for his “technical brilliance and profound musicality”…

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Tchaikovsky in Rome and Boston

This January, Seong-Jin Cho joins orchestras in Boston and Rome for one of the most iconic pieces: Tchaikovsky’s Piano Concerto No. 1. Cho has been widely praised for his interpretation of this bold and dramatic work, with Bachtrack saying, “Cho shaped an introspective cadenza, caressing the keys poetically with a dreamy touch.. The finale was…

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Rachmaninoff in New York and Monaco 

This December, Seong-Jin Cho plays Rachmaninoff’s Rhapsody on a Theme of Paganini at two iconic venues: New York’s Carnegie Hall and Monaco’s Auditorium Rainier III. It’s a piece Cho has performed to great acclaim with orchestras around the world, including the Orchestre National de France, the Seattle Symphony, and the KBS Symphony Orchestra. 

Cho performs this rich and electrifying…

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In recital in Toronto, Paris, and Bangkok 

This fall, Seong-Jin Cho brings his singular artistry to audiences in Toronto, Paris, and Bangkok, appearing in a recital of Chopin’s waltzes, as well as works by Liszt, Beethoven, and Bartók. 

Cho opens the program with Liszt’s shimmering Jeux d’eaux à la Villa d’Este, followed by Beethoven’s peaceful Sonata No. 15 in D major, Op. 28, “Pastoral.”…

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